Selected reviews and articles
- ‘Dissecting patriarchy in the intimacy of the archive through the work of RAMESCH DAHA, TATIANA LECOMPTE, MIRANDA PENNELL’ by Aesa Sigurjonsdottir;
Eikon #100 – Special Issue, International Magazine for Photography & Media, pp57-68, (Vienna, November 2017)
- ‘Miranda Pennell and Pathchwork Archivists at Open City Docs 2017’ by Reeling the Real (September 2017)
- Ars Moriendi, or How To Film a Sculpture: The 11th Punto de Vista Festival, report in Senses of Cinema (June 2017)
- ‘La memoria presente del colonialismo/The present memory of colonialism’ review of The Host in Otros Cines Europa by Manu Yáñez (9th March 2017). English translation here: ‘The present memory of colonialism’
- ‘Venez danser avec les oeuvres du Fonds d’art contemporain de le Ville’ review of the exhibition «Nous pourrions danser ensemble» at Le Commun, Bâtiment d’art contemporain, Geneva, in the Tribune de Geneve (Sept 2016)
- ‘Thieves in the temple: reframing the archive with Miranda Pennell and Sarah Wood’ by Sophie Mayer (March 2016) feature in Sight & Sound.
- ‘The Host’ review in Sight & Sound by Sukhdev Sandhu (April 2016)
- Pleasure Dome: Far From Iran reviewed in Hello Cinema, an English-language website dedicated to Iranian cinema.(July 2016). [Two films about Iran: Taravat Khalili’s Does the Sand Hear the Waves? and Miranda Pennell’s The Host.]
- ‘In Praise of Courtisane’, review of the 2016 Courtisane festival, Lumiere (www.elumiere.net)
- The Essay Film Festival reviewed in Art Monthly (May 2016) by Alex Fletcher.
- ‘All systems… go: Liam Gillick & Anton Vidokle, Miranda Pennell, Dominic Watson, at Cooper Gallery, Dundee, reviewed in This Is Tomorrow and in The National
- ‘Tattoo’, catalogue essay in ‘Europe – The Future of History’, Kunsthaus Zurich (2015).
- ‘Fictional Truths’ by Maria Palacios Cruz in “Document, fiction et droit en art contemporain” Académie Royale des Beaux Arts (Brussels) and PUP (Université d’Aix/Marseille) [Why Colonel Bunny Was Killed
- ‘Why Colonel Bunny Was Killed’, by Adi Chesson for Format Court (2011) [French]
- ‘Why Colonel Bunny Was Killed’, Carmen van Cauwenberghe for Korte Film.Be (2011) [Flemish]
- ‘Throwing some weight around – Cornelia Parker, Rosemary Butcher, Miranda Pennell’ by Lizzy Le Quesne essay in Dance Theatre Journal (2010) [You made me love you]
- Portrait: Miranda Pennell by Wiktoria Peltzer for Vienna Independent Shorts (2011)
- ‘Choreographies for the Camera’ profile on Miranda Pennell, catalogue essay by Dirk Shaeffer for the 52nd Internationale Kurtzfilmetage Oberhausen (2006)
- Tanz – Jahrbuch 2011 Miranda Pennell feature by Melanie Suchy
- ‘A Q&A with Miranda Pennell, artist and filmmaker‘ by Chris Sharratt (March 2016) in a-n.
- ‘Selective memory and partial remembrance are a problem‘ Miranda Pennell interviewed by Georgia Korossi (March 2016) for the BFI
- ‘A filmmaker on archives and autobiography: Photos always make you feel they hold a secret beyond their obvious meaning’ (March 2016)
- Indiewire presents London Film Festival 2015 Women Directors: Meet Miranda Pennell – ‘The Host’ (October 2015)
- On working with archives. Miranda Pennell: interview by Alessandra Ferrini (2013), part 1 and part 2 in Mnemoscape.
- Dazed Digital interview: Miranda Pennell retrospective at the 2011 Glasgow Short Film Festival
Things I write
- On looking more justly at an image of the past. Politics & Poetics of Documentary symposium (Sussex University, June 2017)
- Towards an ethics of looking (September 2016) Photography in academic research conference at UCL, London.
- On looking at photographs from Iran, in The Guardian’s Tehran Bureau (March 2016)
- The Expedition (March 2016) trouble in the colonial archive…
- Rules of the Game, by Miranda Pennell, chapter in Truth, Dare or Promise: Art and Documentary Revisited, (2012), edited by Jill Daniels, Cahal McLaughlin, Gail Pearce.
My chapter is about performance and film, and film as performance. Buy the book Cambridge Scholars Publishing.
- Thoughts on Now-ness and Then-ness, in Journal of Screen Dance (Spring 2010, Vol. 1)