Why Colonel Bunny Was Killed

(2010) 28 minutes, HD


@Miranda Pennell_Why Colonel Bunny Was Killed Why Bunny Was Killed (2010) Bunny 2

Triggered by the memoirs of a medical missionary on the Afghan borderlands, the film reworks archival images of colonial encounter in the North West frontier of British India at the turn of the 20th century. Searching for clues about past events framed during a time of colonial conflict, the film draws attention to the presence of absence in the photographic archive, and to striking continuities in Western perceptions of self and other.

French subtitled version available
DVD published by Filmarmalade, available from LUX and BFI store.

Best international film at 2011 Images Festival, Toronto.
Best international film at 2011 Courtisane Festival of Film Video and Media Art, Ghent.

Why Colonel Bunny Was Killed was a fascinating example of colonial forensics, which used a forgotten memoir entitled ‘Among the Wild Tribes of the Afghan Frontier’ as the starting point for a suggestive and never dogmatic exploration of Englishness, subaltern history and the relationship between empire and photography.
Sukdhev Sandhu, Sight & Sound April 2016

The politics of difference and of inequality also hang above this work. Rephrasing the title of a photograph included in the film “Why Colonel Bunny Was Killed” transforms a caption into a statement, changing the status of the original as a means to interrogate the documentation of history. Using original documents to highlight the symbolism of power and thereby to exhume the clues left by the would-be-victors, the artist re-evaluates part of her own history to speak of a wider truth; at once to challenge the authority of the archive of supposedly impermeable documents and to reacquaint us, as a Western audience, with a degree of doubt about the legitimacy of our worldview. In doing so, the artist also illuminates an entirely contemporary yet parallel situation, and taken together, these elements speak not only of her personal resolve but of the circularity of history itself – and of its continuing bias for power and the powerful.
“Facts, after all, are opinions” (Ghandi)”.
Courtisane Festival of Film and Video Media Art, Jury statement: Marina Kozul (HR), Vincent Meessen (BE/US), Adam Pugh (UK)