“Now, before your very senses, a subversive, dark art will perform the transference of one body – to other bodies. It will bring about the unholy mixing of object, animal and human essences. It will produce shape-changing hybrids, that will try to trick you and to seduce you. You will feel things you know to be irrational. You will believe things you know to be false.”
GESTURES OF LOVE AND VIOLENCE
A performance about belief, doubt, power and possession in film and through film. In this 60 minute lecture-performance-screening, I draw upon my experiences as a dancer and as a filmmaker to consider the powers of corporeal presence and absence on screen and in the imagination, as I explore aspects of projection both psychic and cinematic.
This presentation first came about when I was invited, as someone who was once a dancer but who now makes films, to talk about ‘the body in film’ for a contemporary dance festival London. I thought that the body of the film viewer should not be left out of this equation, so I decided to speak about bodies, images, and the human imagination. I also showed some images.
16mm projection:
Slap Happy Hunters. Dir. Eddy Donnelly (1940, b/w, 7minutes, USA)
Alone: Life Wastes Andy Hardy. Dir. Martin Arnold (1998, b/w, 15 minutes, Austria)
Video:
Quiet Please. Dir. William Hannah, Joseph Barbera (1945, colour, 7.35 minutes, USA) excerpt.
Rize. Dir. David LaChapelle (2005, colour, 68 minutes, USA) excerpt.
Acknowledgements:
The pre-recorded words at the start are inspired by and adapted from Hollis Frampton’s ‘A Lecture’ (1968)
Sergei Eisenstein ([1941], 2010) ‘Disney’ www.stopactionemory.wikispaces.com/file/view/Eisenstein+on+Disney.pdf
Elaine Scarry, (1987) ‘The body in pain: the making and unmaking of the world’, Oxford University Press, U.S.A.;
Miranda Pennell 